Ravel’s Daphnis et Chloé

October 16, 17 & 18, 2025

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Overview

Ravel called his 1912 ballet Daphnis et Chloé a “choreographic symphony.” “My intention,” he wrote, “was to compose a vast musical fresco in which I was less concerned with archaism than with reproducing faithfully the Greece of my dreams.” The sumptuous, dreamlike music, conducted here by Jun Märkl in his SF Symphony debut, enchanted listeners from the start. Violinist Leonidas Kavakos joins the Symphony for a passionate performance of Bartók’s Violin Concerto No. 2, an exercise in radical simplicity. Bartók’s endlessly fertile five-note figure spawns hook after hook, each more captivating than the last.

Concert Extras

Thursday Matinee: A postconcert conversation with Jun Märkl, hosted by Sarah Cahill, will be presented onstage immediately following the performance. Free to all ticketholders.

Friday and Saturday: A preconcert conversation with SF Symphony musicians Jonathan Vinocour, Principal Viola; Anne Richardson, Associate Principal Cello; and Aaron Schuman, Associate Principal Trumpet, hosted by Benjamin Pesetsky, will be presented onstage at 6:30pm. Free to all ticketholders.

Art Installation: Día de los Muertos
Peruse dedicated altars and festive art installations created by local artists for the San Francisco Symphony’s annual Día de los Muertos concert on Saturday, November 1. On display until November 12.

Artists

Jun Märkl

Conductor

San Francisco Symphony

Program

Béla Bartók

Violin Concerto No. 2

Maurice Ravel

Daphnis et Chloé

Sponsors

Thursday matinee concerts are endowed by a gift in memory of Rhoda Goldman.

Preconcert talks are supported in memory of Horacio Rodriguez.

Ravel’s Daphnis et Chloé

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