ELIM CHAN CONDUCTS TCHAIKOVSKY

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Artists

Elim Chan

Conductor

James Ehnes

Violin

San Francisco Symphony

program

Moondog
[San Francisco Symphony Commission, World Premiere]

Elizabeth Ogonek

Violin Concerto No. 2

Sergei Prokofiev
Symphony No. 2
Piotr Ilyich Tchaikovsky

performances

Davies Symphony Hall

Thu, Jan 12, 2023 at 2:00PM

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Davies Symphony Hall

Fri, Jan 13, 2023 at 7:30PM

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Davies Symphony Hall

Sat, Jan 14, 2023 at 7:30PM

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If you would like assistance purchasing tickets for patrons with disabilities, please call the box office at 415-864-6000.


These concerts are generously sponsored by the Athena T. Blackburn Endowed Fund for Russian Music.

THE WORLD PREMIERE OF ELIZABETH OGONEK'S MOONDOG IS SPONSORED BY SOLOMON B. CERA AND TOBY FISCHER CERA.

THE WORLD PREMIERE PERFORMANCEs OF ELIZABETH OGONEK’S MOONDOG are SUPPORTED BY THE PHYLLIS C. WATTIS FUND FOR NEW WORKS OF MUSIC.

Thursday matinee concerts are endowed by a gift in memory of Rhoda Goldman.

Event Description

Piotr Ilyich Tchaikovsky’s Second Symphony is a sunny celebration filled with folk tunes he heard on a holiday with family. Sergei Prokofiev’s Second Violin Concerto contrasts a darkly lyrical opening and a vigorous finale, performed here by violinist James Ehnes. To open the program conducted by Elim Chan, the SF Symphony commissioned a new work from Elizabeth Ogonek, whose Sleep & Unremembrance was hailed last season as “a marvelous musical dreamscape” by the San Francisco Chronicle.

digital program book

At A Glance

Elizabeth Ogonek composed Moondog as a work that could be played either as a standalone piece (as here) or as the last in a triptych of orchestral pieces inspired by forms found in nature. A moondog is a meteorological phenomenon where, as she explains, “ice crystals reflect light to create two symmetrical orbs that appear on either side of the moon.” This suggested a musical structure in which the opening and closing sections are symmetrical reflections surrounding a lyrical central expanse, the whole “creating an orchestral atmosphere that evokes the mysteriousness of nighttime.”

Sergei Prokofiev’s Violin Concerto No. 2 was written around the time he ended his touring career in the West to return to Russia, which he had left two decades earlier following the Revolution (he first arrived in America through Angel Island Immigration Station in San Francisco). The piece unites all four streams in his compositional style: classical, modern, motoric, and lyrical.

Although Piotr Ilyich Tchaikovsky was far less of a musical nationalist than his contemporaries known as the “Mighty Handful” or “Russian Five,” he did entertain an ongoing interest in Slavic folk music, which reached a high-point in his Symphony No. 2. Tchaikovsky would ultimately travel a path more beholden to Germanic symphonic traditions, but this energetic score suggests fleetingly that the Russian Five could have become the Russian Six.

Concert Extras

A pre-concert Q&A with composer Elizabeth Ogonek will be presented from the stage one hour before the concert on January 12 from 1:00–1:30pm. Free to all ticketholders.

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