David Chernyavsky joined the San Francisco Symphony in 2009. Born in Saint Petersburg, Russia, he began violin studies at the age of six and at eleven gave his first solo recital. After winning prizes in competitions in Russia and France, he entered the Saint Petersburg Conservatory. In 1997, Mr. Chernyavsky came to the US to study at Indiana University’s Jacobs School of Music and, later, at the Juilliard School. He has recorded several CDs with the Saint Petersburg Quartet and with the Joel Rubin Klezmer Music Ensemble, and he has released a solo CD, Klezmer Violin. He also performs and teaches with the San Francisco Academy Orchestra.

(September 2018)

Wayne Roden, a native of Alabama, attended the North Carolina School of the Arts and Northern Illinois University, where he studied with Scott Nickrenz. Following induction into the military, he studied viola with Karen Tuttle and also played frequently at the White House as a member of the Strolling Strings of the US Army Band. He joined the San Francisco Symphony in 1974. With the San Francisco Chamber Soloists, he performed with Janos Starker, Jaime Laredo, Stephanie Chase, and Jerome Lowenthal. 

(September 2019)

Margaret Tait joined the San Francisco Symphony in 1975 and currently occupies the Lyman & Carol Casey Second Century Chair. A Virginia native, she holds a bachelor’s degree from the University of Southern California and a master’s degree from the San Francisco Conservatory of Music, and she previously served as principal cellist with the Birmingham Symphony Orchestra. Ms. Tait was a founding member of the Aurora String Quartet, in which she performed with SFS colleagues for twenty-two years.

(September 2018)

Sébastien Gingras joined the San Francisco Symphony in 2010 and was previously a member of the New World Symphony and the Saint Louis Symphony. Mr. Gingras grew up in Chicoutimi, Québec, where he was educated at the Conservatoire de Musique. After graduating, he moved to Boston to study at New England Conservatory, where he received his master’s degree in 2005. He has participated in the Ravinia Festival’s Steans Institute and Yellow Barn.

Tim Day has served as Principal Flute of the SFS since 2006, occupying the Caroline H. Hume Chair. Mr. Day served as principal flute with the Baltimore Symphony for twelve seasons, has been acting principal flute with the Minnesota Orchestra, and was guest principal flute with the Boston Symphony. A graduate of Oberlin Conservatory, Mr. Day joined the faculty of the San Francisco Conservatory of Music in 1987. During the summers he is on the faculty of the Music Academy of the West in Santa Barbara.  For more on Tim Day, visit sfsymphony.org/TimDay.

(February 2019)

Robin McKee is Associate Principal Flute of the San Francisco Symphony, occupying the Catherine & Russell Clark Chair. A native of Tulsa, OK, she began her music studies on piano before switching to flute. She later studied with Robert Willoughby at the Oberlin Conservatory. Before joining the SFS in 1984, she played piccolo in the Richmond (Virginia) Symphony and served as assistant principal flute of the Baltimore Symphony. For more on Robin McKee, turn to page 14 of this Playbill or visit sfsymphony.org/robinmckee.

Jerome Simas joined the San Francisco Symphony as bass clarinet in 2012. Prior to that, he was principal clarinet with the California Symphony, Oakland Symphony, Modesto Symphony, Monterey Symphony, and IRIS Orchestra. He has also performed with the Cleveland Orchestra, Dallas Symphony, San Francisco Opera, San Francisco Ballet, Sun Valley Summer Symphony, Chautauqua Symphony, and Naples (Florida) Philharmonic.
 
Mr. Simas is a member of the Left Coast Chamber Ensemble and performs with the Sierra Chamber Society and on the SF Symphony chamber music series. He won grand prize at the Fischoff National Chamber Music Competition, first prize at the Yellow Springs Chamber Music Competition, and first prize at the International Clarinet Association’s Young Artist Competition, and participated in the Marlboro Music Festival, National Repertory Orchestra, and Tanglewood Music Center. Previously a fellow at the New World Symphony, he is featured in Gershwin’s Rhapsody in Blue and Stravinsky’s Ebony Concerto on the New World Symphony’s RCA Victor Red Seal recording New World Jazz with Michael Tilson Thomas.
 
A dedicated music educator, Mr. Simas is professor of clarinet and chamber music at the San Francisco Conservatory of Music and is a coach with the San Francisco Symphony Youth Orchestra. He received his bachelor’s and master’s degrees from the Cleveland Institute of Music, where he studied with Cleveland Orchestra principal clarinet Franklin Cohen.

Jacob Nissly joined the San Francisco Symphony as Principal Percussion in 2013. Previously, he was principal percussion of the Cleveland Orchestra and the Detroit Symphony. He also spent two years as a fellow in the New World Symphony.

Nissly is chair of the Percussion Department and professor of percussion at the San Francisco Conservatory of Music. He is also a regular coach at the New World Symphony. He previously taught at the Eastman School of Music and Cleveland Institute of Music. He has served as a percussion coach for the Aspen Music Festival since 2019, National Youth Orchestra-USA, Verbier Festival, and others.

Nissly can be heard on recordings with the San Francisco Symphony and the Cleveland Orchestra. He also played drum set on the St. Louis Symphony's Grammy award-winning recording of John Adams's City Noir.
In 2019, Nissly premiered Adam Schoenberg’s percussion concerto Losing Earth with the San Francisco Symphony. He has performed the piece with the New Zealand Symphony Orchestra and the Omaha Symphony and will perform it with the Nuremberg Symphony in 2026.

Nissly holds a Bachelor of Music and Jazz Studies degree from Northwestern University and Master of Music degree from the Juilliard School. He endorses Vic Firth drumsticks, Zildjian cymbals, Kolberg percussion, and Remo drumheads.

For more on Jacob Nissly, visit sfsymphony.org/jacobnissly.