Prometheus, The Poem of Fire

Alexander Scriabin’s symphonic poem Prometheus, The Poem of Fire celebrates synesthesia and cosmic unity. Scriabin envisioned a total, mystical, consuming work of art that sublimed his audiences to another plane of consciousness.

Devised by San Francisco Symphony Music Director Esa-Pekka Salonen, pianist Jean-Yves Thibaudet, and Cartier in-house perfumer Mathilde Laurent, the San Francisco Symphony and Cartier present a multisensory production of Prometheus that aspires towards transcendence, aiming to realize Scriabin’s vision of a truly synesthetic work of art. 

This collaborative world premiere combines dynamic musical and light performance with olfactory curation, subsuming audiences in Scriabin’s creative vision more than a century after the piece of total art was composed.

ABOUT SCENT AND COLOR IN THIS PERFORMANCE

In Prometheus, The Poem of Fire, Scriabin envisioned a total, synesthetic work of art, where sounds would conjure images, colors, shapes, and smells.  

For this multisensory production of Prometheus, scent accords created specifically for the performance by Mathilde Laurent, in close collaboration with Jean-Yves Thibaudet and Esa-Pekka Salonen, will be delivered during key moments using technology developed by Agence Desind for Cartier, specialists in digital scent systems based in France.  

Discreet devices strategically placed throughout Davies Symphony Hall will diffuse scent during three key moments during the performance of Prometheus. The devices will utilize a dry-air diffusion technique (i.e. non-aerosol), where the air in the room is propelled through capsules infused with fragrances. 

This performance also incorporates technology specifically designed for this project that combines haze (as used in theatrical productions) and scent formulated for the show.

Paired with state-of-the-art lighting technology, which will illuminate the concert hall in vibrant colors aligned with Scriabin’s vision of a color organ, the performances aspire towards transcendence, stirring our collective memory as the mortal beneficiaries of Prometheus’ brazen generosity.

ABOUT CARTIER

A reference in the world of luxury, Cartier, whose name is synonymous with open-mindedness and curiosity, stands out with its creations and finds beauty wherever it may lie.

The Maison has several areas of expression. From jewelry to high jewelry, from watchmaking to fragrances, and leather goods and accessories, Cartier’s creations symbolize the convergence between exceptional craftsmanship and a timeless signature. Santos de Cartier and Tank watches, Trinity rings, Love and Juste un Clou bracelets, Panthère de Cartier, and Ballon Bleu designs are all born from a unique vision and a singular style.

Founded in 1847 in Paris, the Maison has a strong living heritage and is deeply committed to taking care of and enriching it. Cartier Collection (1983) and Cartier Tradition (1996) participate in this mission.

A fully committed Maison in tune with its time, Cartier supports artistic and cultural creation through the Cartier Foundation for Contemporary Art (1984), female entrepreneurs through the Cartier Women’s Initiative program (2006), and vulnerable communities, especially women and children, with Cartier Philanthropy (2013). Cartier is also committed to protecting the environment and biodiversity with Cartier for Nature (2020). 

In addition, the Maison operates in a responsible manner and aims to drive a sustainable industry, via the co-founding of the Responsible Jewellery Council (2005) and the launch of the Watch & Jewellery Initiative with Kering (2022).

Today, Cartier is part of the Richemont Group and has a worldwide presence through its network of flagships and boutiques, authorized retail partners, and online at www.cartier.com.

Artwork by Sho Shibuya
Photography/Video by Mynxii White

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