Jane (Hyeon Jin) Cho joined the San Francisco Symphony second violin section in the 2025–26 season. She was a finalist in the 2022 16th International Henryk Wieniawski Violin Competition.

Born in South Korea, Cho began violin lessons at the age of six and studied at the Yehudi Menuhin School in the United Kingdom and the University of Music and Performing Arts in Graz, Austria. She earned her bachelor’s degree with first class honors from the Royal College of Music in London, a master of music at the Juilliard School, and an artist diploma from the Queen Elisabeth Music Chapel in Belgium.

Cho has collaborated with artists including Gidon Kremer, Christian Tetzlaff, Augustin Dumay, Gary Hoffman, Miguel da Silva, and Pamela Frank, and recorded her debut CD of Debussy’s string quartet with Augustin Dumay, Miguel da Salva, and Henri Demarquette. She also has performed as a substitute musician with the New York Philharmonic. She performs on a Giuseppe Nadotti violin, made in Piacenza, Italy, ca. 1775.

Katie Kadarauch joined the San Francisco Symphony in 2007 as Assistant Principal Viola. A native of the Bay Area, she was principal viola of the SF Symphony Youth Orchestra and earned a bachelor’s degree and graduate diploma from the New England Conservatory. She also studied at the Colburn School, during which time she performed with the Los Angeles Philharmonic and recorded film scores. She plays on a Peter Rombouts viola ca.1720, on loan from the SF Symphony.

Christina King, a native of Newport Beach, CA, joined the SFS in 1996. She has been a member of the Tucson Symphony and served as principal viola in the Civic Orchestra of Chicago, the training orchestra of the Chicago Symphony. Prior to those positions, she played with various orchestras in Mexico City. Ms. King is a graduate of Barnard College/Columbia University, where she pursued a degree in English while studying violin and viola at the Manhattan School of Music. She was later granted a fellowship to Northwestern University, where she earned her master’s degree.

(September 2018)

Anne Richardson joined the San Francisco Symphony as Associate Principal Cello at the beginning of the 2024–25 season. She was most recently an academy fellow with the Bavarian Radio Symphony and has performed with the Verbier Festival Orchestra, Orchestre de la Suisse Romande, and Pittsburgh Symphony. As a soloist, she has appeared with the Louisville Orchestra, Massapequa Philharmonic, Bryan Symphony Orchestra, and Juilliard Orchestra, and has been featured by Lincoln Center’s Great Performance Circle, Juilliard in Aiken Festival, and Vail International Dance Festival. She has also performed extensively as a chamber musician at the Nymphenburger Sommer in Munich, Tegernsee International Music Festival, Wasserburg Rathauskonzerte Series, Rome Chamber Music Festival, Kneisel Hall, United Nations Chamber Music Society, and with the Jupiter Symphony Chamber Players.

A native of Louisville, Kentucky, Richardson completed bachelor’s and master’s degrees at the Juilliard School as a student of Richard Aaron, and earned a doctor of musical arts at the University of Michigan. She was named the Kentucky Center’s Gheens Artist in Residence in 2019 and was a guest faculty member and artist in residence at the 2018 Tennessee Cello Workshop.

Davis You joined the San Francisco Symphony cello section at the beginning of the 2024–25 season and holds the Lyman & Carol Casey Second Century Chair. He earned his bachelor of music from New England Conservatory, where he studied with Laurence Lesser and Paul Katz, and regularly appeared as principal cello of the NEC Philharmonia. He was a member of Quartet Luminera, which won the silver medal at the Fischoff National Chamber Music Competition. A Bay Area native, You began his cello studies with Irene Sharp and Jonathan Koh. He has appeared on NPR’s From the Top, San Francisco International Piano Festival, Wellesley Chamber Players Series, Taos Chamber Music Festival, and Norfolk Chamber Music Festival.

Daniel G. Smith was appointed Associate Principal Bass of the San Francisco Symphony in 2017. He previously served as principal bass of the Santa Barbara Symphony, and he was a member of the San Diego Symphony. He has served as guest principal and associate principal bass with the Los Angeles Chamber Orchestra, and guest principal of the Lakes Area Music Festival in Brainerd, MN. Mr. Smith received his Bachelor of Music from Rice University's Shepherd School of Music under the tutelage of Timothy Pitts.

Carey Bell joined the San Francisco Symphony as Principal Clarinet in 2007 and holds the William R. & Gretchen B. Kimball Chair. This week’s concerts mark his seventh solo appearances with the Symphony, having previously performed Nielsen’s Clarinet Concerto with Herbert Blomstedt, Debussy’s Premiere Rhapsodie and Bernstein’s Prelude, Fugue, and Riffs with Michael Tilson Thomas, and Mozart’s Clarinet Concerto on three occasions with Jaap van Zweden, Bernard Labadie, and Esa-Pekka Salonen.

Cultivating a career in the Bay Area for over two decades, Mr. Bell has performed with numerous local orchestras and chamber ensembles. He is a former member of the San Francisco Contemporary Music Players and has participated in several other local contemporary music groups. His summer engagements have included the Marlboro Music Festival, Music@Menlo, Oregon Bach Festival, and Telluride Chamber Music Festival. Notable chamber performances include collaboration with violist Scott St. John and pianist Jonathan Biss for San Francisco Performances, and Lukas Foss’s Echoi with Jeremy Denk, Peter Wyrick, and Jack van Geem, as part of the San Francisco Symphony’s 2012 American Mavericks tour, culminating in a performance at Carnegie Hall’s Zankel Hall.

Mr. Bell was born and raised in Eugene, Oregon, where he developed his musical skills as a pianist, singer, and composer. After taking up clarinet at age 12, he studied for several years with Cindi Bartels. He received several honors as a young clarinetist, and he wrote a symphonic overture performed by the Oregon Symphony in 1992. For his undergraduate work, he studied with Fred Ormand at the University of Michigan and pursued a composition degree with William Bolcom, Bright Sheng, Michael Daugherty, and Evan Chambers. As a student, he participated in summer fellowships at Tanglewood and Music Academy in Santa Barbara. After graduating he continued his clarinet studies with Larry Combs, then principal clarinet of the Chicago Symphony.

Mr. Bell spent one year as a member of the Civic Orchestra of Chicago before winning his first audition for principal clarinet of the Syracuse Symphony in 1998. He became principal of the San Francisco Opera Orchestra in 2001, and has served as acting principal of the San Francisco Ballet Orchestra and guest principal of the Philadelphia Orchestra. Mr. Bell teaches at the San Francisco Conservatory of Music and formerly taught at Stanford University.

Joshua Elmore joined the San Francisco Symphony as Principal Bassoon in March 2025 and made his solo debut in September 2026. He previously served as principal bassoon of the Fort Worth Symphony and has also performed with the Boston Symphony, New York Philharmonic, and Chineke! Orchestra.

A graduate of the Juilliard School as a Kovner Fellow, Elmore also holds a Professional Studies Certificate from the Colburn School. He has been a fellow at Tanglewood Music Center and Music Academy of the West and contributed to a Grammy Award-nominated album with the National Orchestra Institute. Recently profiled by San Francisco Classical Voice, his playing was described as “evoking a river,” reflecting the expressive warmth and lyrical fluidity that characterize his artistry.

Originally from Cleveland, Ohio, Elmore was principal bassoon of the Cleveland Youth Wind Symphony and a member of the Cleveland Youth Orchestra before touring internationally with the National Youth Orchestra of the United States.

Elmore is Professor of Bassoon at the San Francisco Conservatory of Music and serves on the faculty of the Aspen Music Festival and School. Passionate about mentoring the next generation of musicians, he collaborated with Alfred Music on an intermediate bassoon method book and served on the bassoon faculty of the 2023 Stellenbosch International Chamber Music Festival in South Africa, presenting masterclasses and coaching young musicians. Outside of music, he enjoys cultivating his plant collection and spending time in nature.

Stan Muncy joined the San Francisco Symphony percussion section in fall 2024 after serving as a frequent extra musician since 2010. He was previously a member of the Honolulu Symphony and Santa Rosa Symphony. He has also toured with the contemporary music ensemble Eighth Blackbird, participated in the Spoleto Festival and Music Academy of the West, and recorded film and video game scores at Skywalker Sound, Capitol Records, and Warner Brothers Studios.

A native of California, Muncy grew up in the Central Valley and moved to the Bay Area for college, earning a bachelor’s degree from California State University, East Bay, where he studied with Artie Storch, and a master’s degree from the San Francisco Conservatory of Music, where he studied with Jack Van Geem. During that time, he was also a member of the San Francisco Symphony Youth Orchestra. He then moved to Los Angeles, where he received a professional studies certificate from the Colburn School.

Muncy is currently a faculty member at the SFCM Pre-College and previously taught at Stanford University, UC Berkeley, and California State University, Stanislaus. He has also coached many youth orchestra percussion sections, including the SFSYO.

Jacob Nissly joined the San Francisco Symphony as Principal Percussion in 2013. Previously, he was principal percussion of the Cleveland Orchestra and the Detroit Symphony. He also spent two years as a fellow in the New World Symphony.

Nissly is chair of the Percussion Department and professor of percussion at the San Francisco Conservatory of Music. He is also a regular coach at the New World Symphony. He previously taught at the Eastman School of Music and Cleveland Institute of Music. He has served as a percussion coach for the Aspen Music Festival since 2019, National Youth Orchestra-USA, Verbier Festival, and others.

Nissly can be heard on recordings with the San Francisco Symphony and the Cleveland Orchestra. He also played drum set on the St. Louis Symphony's Grammy award-winning recording of John Adams's City Noir.
In 2019, Nissly premiered Adam Schoenberg’s percussion concerto Losing Earth with the San Francisco Symphony. He has performed the piece with the New Zealand Symphony Orchestra and the Omaha Symphony and will perform it with the Nuremberg Symphony in 2026.

Nissly holds a Bachelor of Music and Jazz Studies degree from Northwestern University and Master of Music degree from the Juilliard School. He endorses Vic Firth drumsticks, Zildjian cymbals, Kolberg percussion, and Remo drumheads.

For more on Jacob Nissly, visit sfsymphony.org/jacobnissly.

Yuhsin Galaxy Su joins the San Francisco Symphony as Second Clarinet at the beginning of the 2024–25 season. She recently completed a master’s degree at the Colburn School, where she studied with Yehuda Gilad, and before that studied at the Curtis Institute of Music with Anthony McGill.

During her time at Curtis, Su was selected for the Curtis 20/21 Ensemble and performed Arnold Schoenberg’s Pierrot lunaire in fully choreographed products at the Kimmel Center, Columbia University, Kennedy Center, and Curtis Field Recital Hall. She has also been a soloist at the Musique et Vin Music Festival and Marlboro Music Festival. She won top prizes in the 2013 and ’14 HSNU Concerto Competition, third prize and audience prize at the International Morningside Music Bridge in Canada, first prize at the Young Classical Virtuoso of Tomorrow Music Competition, and two Chimei Arts Awards.