The San Francisco Symphony Chorus was established in 1973 at the request of Seiji Ozawa, then the Symphony’s Music Director. The Chorus, numbering 32 professional and more than 120 volunteer members, now performs more than 26 concerts each season. Louis Magor served as the Chorus’s director during its first decade. In 1982 Margaret Hillis assumed the ensemble’s leadership, and the following year Vance George was named Chorus Director, serving through 2005–06. Ragnar Bohlin concluded his tenure as Chorus Director in 2021, a post he had held since 2007. Jenny Wong was named Chorus Director in September 2023.
The Chorus can be heard on many acclaimed San Francisco Symphony recordings and has received Grammy Awards for Best Performance of a Choral Work (for Orff’s Carmina burana, Brahms’s German Requiem, and Mahler’s Symphony No. 8), Best Classical Album (for a Stravinsky collection and for Mahler’s Symphony No. 3 and Symphony No. 8), and most recently Best Opera Recording (for Saariaho’s Adriana Mater).
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David J. Xiques has prepared the San Francisco Symphony Chorus since 1997, presently as Guest Chorus Director and previously as Assistant Director. Highlights include preparing the Chorus for Beethoven’s Ninth Symphony, Orff’s Carmina burana, Handel’s Messiah, Adams’s A Flowering Tree, Stravinsky’s Symphony of Psalms, and Mozart’s Mass in C minor, and conducting the Chorus onstage at the 2016 Día de los Muertos concert. He has prepared the Chorus for conductors including Esa-Pekka Salonen, Michael Tilson Thomas, Paul McCreesh, John Adams, Ingo Metzmacher, Gemma New, Xian Zhang, Emil de Cou, Grant Gershon, Donato Cabrera, Daniel Stewart, and Christian Reif. He also sang with the Chorus as a member of AGMA from 1993 through 2022.
Xiques is a professor emeritus of music at San Francisco State University, where his students sang with the SF Symphony Youth Orchestra in performances of Holst’s The Planets and joined the SF Symphony in a performance of Beethoven’s Symphony No. 9 at Frost Ampitheater. As an author and composer, his book Solfege and Sonority: Teaching Music Reading in the Choral Classroom is published by Oxford University Press and his choral arrangements are published by Alliance Music Publications.