TCHAIKOVSKY & BARBER

July 25, 2024

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Overview

How does fate shape us? Carlos Simon takes a journal entry by Beethoven as the jumping off point for a work that explores the unpredictable ways of providence, while Piotr Ilyich Tchaikovsky channels personal crises and his own admiration for Beethoven into a fate-filled tour de force, the Fourth Symphony. Hope makes its presence known courtesy of Samuel Barber’s lyrical and openhearted Violin Concerto.

At A Glance

How does fate shape us? American composer Carlos Simon takes a journal entry by Ludwig van Beethoven as the jumping-off point for Fate Now Conquers, a work that explores the unpredictable ways of providence.

Hope makes its presence known courtesy of Samuel Barber’s lyrical and openhearted Violin Concerto. Barber himself described: “The first movement . . . begins with a lyrical first subject announced at once by the solo violin . . . The second movement  . . . is introduced by an extended oboe solo. The violin enters with a contrasting and rhapsodic theme, after which it repeats the oboe melody of the beginning. The last movement, a perpetual motion, exploits the more brilliant and virtuoso characteristics of the violin.”

Piotr Ilyich Tchaikovsky wrote his Symphony No. 4 for his mysterious patron, Nadezhda von Meck, with whom he carried on an intimate correspondence but never met. He told her the Symphony was about fate, the “sword of Damocles over our heads,” a profoundly personal testimony about his mood at the time.
 

Artists

Earl Lee

Conductor

Stella Chen

Violin

San Francisco Symphony

Program

Carlos Simon
Fate Now Conquers
Samuel Barber

Violin Concerto 

Piotr Ilyich Tchaikovsky

Symphony No. 4

TCHAIKOVSKY & BARBER

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