At A Glance
The creation of Fang Man’s Song of the Flaming Phoenix, which receives its world premiere at these performances, was deeply intertwined with the final illness and passing of the composer’s mother. In this concerto for sheng (mouth organ), Fang evokes visions of a rising phoenix (or Fenghuang in Chinese mythology) while reimagining the songs of American bird species as other mythical birds.
Many think of Franz Liszt first as a piano virtuoso who filled his pieces with dazzling displays of high-velocity finger-work that careered dizzily up and down the entire length of the keyboard. The Piano Concerto No. 2 is more subdued and we sense the composer’s deep-seated desire to beautifully integrate the solo instrument into the symphonic texture.
With its constantly unfolding rhapsodic effusion of motifs, titillating textures, and exorbitantly rich colors, The Poem of Ecstasy cemented Alexander Scriabin’s place in the pantheon of Composers-as-Visionaries. Scriabin himself put it this way: “When you listen to Ecstasy, look straight into the eye of the sun!”
After notes by James M. Keller and Fang Man
For more information, including full program notes, visit the San Francisco Symphony’s digital program book platform at sfsymphony.encoreplus.app or text “SFS Concert” to 55741.