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OPEN REHEARSALS ARE ENDOWED BY A BEQUEST FROM THE ESTATE OF KATHARINE HANRAHAN.
In a letter to his friend about his Violin Concerto, Edward Elgar wrote, “I have the Concerto well in hand… and it’s good! Awfully emotional! Too emotional but I love it.” Violinist Christian Tetzlaff deftly navigates the concerto’s journey through moments of wild energy tempered by noble melodies of the utmost refinement. Conductor Simone Young balances Elgar’s timeless concerto with Piotr Ilyich Tchaikovsky’s gorgeously triumphant Fifth Symphony, one of the composer’s most beloved works.
Due to complications brought about by COVID-19 we have temporarily suspended coffee and free donut service at our Open Rehearsals.
AT A GLANCE
Piotr Ilyich Tchaikovsky approached his Fifth Symphony from a position of extreme self-doubt, nearly always his posture vis-à-vis his incipient creations. In May 1888, he confessed in a letter to his brother, Modest, that he feared his imagination had dried up, that he had nothing more to express in music. Still, there was a glimmer of hope: “I am hoping to collect, little by little, material for a symphony.” His correspondence on the subject (with Modest and with his mysterious patron Nadezhda von Meck) brims with allusions to the emotional background to this piece, which involved resignation to fate, the designs of providence, murmurs of doubt, and similarly dark thoughts.
After notes by James M. Keller and Michael Steinberg
For more information, including full program notes, visit the San Francisco Symphony’s digital program book platform at sfsymphony.encoreplus.app or text “SFS Concert” to 55741.