Celebrating Bernstein with MTT

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Bernstein at 100
Experience the exuberance, joy, and brilliance of one of the 20th century's greatest composers, Leonard Bernstein. Hear his Chichester Psalms, combining Broadway-inspired melodies with sacred texts for chorus and orchestra. Then, the Orchestra performs the vibrant Symphonic Dances from West Side Story. Listen for syncopated Latin rhythms that set the scene for an impossible romance between two star-crossed lovers, Tony and Maria, the Romeo and Juliet of 1950s New York City.


Conductor/Performers

Carey Bell

Clarinet

Isabel Leonard

Mezzo-soprano

Ryan McKinny

Bass-baritone

Nicholas Hu

Boy Soprano

Matt Herrero

Actor

Humphrey Burton

Speaker

San Francisco Symphony


Podcasts

Bernstein's West Side Story
 

At a Glance


BERNSTEIN AT 100
Leonard Bernstein (1918-90) was one of the most phenomenally gifted musicians of the twentieth century. He composed music, conducted it, and played it. He spoke about music and he wrote about it. He knew where it fit into our overall cultural scheme, and he believed in its power to make life better and richer.

BERNSTEIN
Prelude, Fugue, and Riffs
 1949  |  7 mins
Prelude, Fugue, and Riffs is a spirited example of a classical-music eminence building a bridge between disparate styles. The three continuous portions of the piece stand as independent episodes, each focusing on a different sound-world within a standard swing band. The Prelude features the trumpets, trombones, and percussion—at first intoning a snappy gesture, then a sultry tune. The Fugue is a bouncy expanse of music featuring five saxophones, with punctuation from the percussion and underpinning from the double bass. The solo clarinet is held in reserve for the Riffs segment, where it lets loose melodic flourishes, assisted at first by piano and then the band’s other instruments. DID YOU KNOW? The premiere was broadcast and is on YouTube. You can see a bass sax was used for what is actually a baritone part—a substitution Bernstein approved of since he was conducting!

Chichester Psalms  1965  |  18 mins
Each of the movements in Chichester Psalms involves a Hebrew text derived from two psalms—one in its entirety, one selectively—which either support each other or provide contrast: Psalms 100 and 108 in the first movement, Psalms 23 and 2 in the second, Psalms 131 and 133 in the third. Movement one is infused with rhythmic punch and wide melodic intervals. This yields to music that is sparkling and snazzy. Next, a boy soprano sings the famous Psalm 23 with bluesy overtones to a harp accompaniment. Movement three begins in a spirit of rugged Americanism. Near the end, the a cappella chorus gives thanks for peace and unity, with the orchestra adding its gentle voice.

Arias and Barcarolles (orch. by Bruce Coughlin)  1988/1993 | 29 mins
Many of Bernstein’s compositions reflect his grappling with personal issues. In Arias and Barcarolles, his last major piece, he addressed matters relating to family. On the whole the piece is affectionate, but it’s not without a measure of vacillation, frustration, and even cynicism. DID YOU KNOW? “Oif Mayn Khas’neh” carries the dedication “for M.T.T.” Bernstein viewed MTT as a musical son, and the two teamed up on the piano bench when the first incarnation of Arias and Barcarolles premiered in 1988.

Symphonic Dances from West Side Story  1957/1961 | 23 mins
A gritty New York neighborhood; the sounds of brash dance music; the excitement of young love. In West Side Story, Bernstein transposes Shakespeare’s Romeo and Juliet from Verona to the slums of mid-Manhattan’s West Side. The feuding Montagues and Capulets are replaced by the Anglo “Jets” and the Puerto Rican “Sharks,” two warring street gangs whose rivalry is inflamed by the city’s racial hatreds. The brilliance of West Side Story lies in its use of tension. The Symphonic Dances from West Side Story communicate all the tension, the frenetic pace, and the nervous intensity of urban life in America.

Jeanette Yu is Director of Publications at the San Francisco Symphony.

Buy Tickets

  1. Fri, Sep 22, 2017 at 8:00pm

    Davies Symphony Hall

  2. Sat, Sep 23, 2017 at 8:00pm

    Davies Symphony Hall

  3. Sun, Sep 24, 2017 at 2:00pm

    Davies Symphony Hall 

If you would like assistance purchasing tickets for patrons with disabilities, please call the box office at 415-864-6000.

Pre- and post-show Events

Arrive early for a special one-hour Inside Music talk hosted by renowned Leonard Bernstein scholar, Humphrey Burton, featuring a rare interview with Michael Tilson Thomas, who will share memories of his one-of-a-kind working relationship with Bernstein. Other highlights include Burton’s own insights, stories, and video from his 20-year concert broadcast collaboration with the brilliant music legend. 6:30pm/12:30pm. Free to ticketholders.

Guest artist signing: Mezzo-soprano Isabel Leonard will be available for autographs following the September 23 concert. Signing takes place in the orchestra lobby, near the Symphony Store.

Program Support

Sponsored by

Franklin Templeton Investments logo

September 23 presented in partnership with

2017-18 Season: Click to explore

This concert is eligible for Compose Your Own. Click to learn more!