Countertenor Nathan Medley made his professional debut in 2012 in John Adams’s The Gospel According to the Other Mary with the Los Angeles Philharmonic, which was recorded on the Deutsche Grammophon label. Recent performances have brought him to the Boston Early Music Festival (as Ottone in Monteverdi’s L'Incoronazione di Poppea) and the Los Angeles Philharmonic for Olga Neuwirth’s Hommage á Klaus Nomi under the baton of John Adams. Mr. Medley has also appeared with the Netherlands Radio Philharmonic, Chicago’s Ravinia Festival, Opera Omaha, Pacific MusicWorks, Mercury Baroque, Seraphic Fire, Indianapolis Baroque Orchestra, Cincinnati Collegium, Miami Bach Society, and Dayton Bach Society. A member of Echoing Air, an ensemble focused on music of the Baroque and modern eras composed for countertenor, he recently premiered a new piece by John Harbison in Chicago with Second City Musick. He makes his SFS debut at these performances.