Open Rehearsal: Gautier Capuçon and Pines of Rome

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Bringing his characteristic impassioned and eloquent playing, Gautier Capuçon performs Saint-Saëns' First Cello Concerto, led by acclaimed conductor Stéphane Deneve. Respighi's Pines of Rome closes this program with its vivid Roman scenes, from children playing near a Renaissance villa to hymns echoing through the halls of the ancient catacombs.

Take a peek behind-the-scenes and experience a San Francisco Symphony performance in the making. It begins at 8:30am with coffee, doughnuts, and a half-hour informative talk at 9am. Then, watch as the conductor and musicians collaborate to bring the music to life.


Conductor/Performers

Stéphane Denève

Conductor

San Francisco Symphony

Program

Ibert

Escales

Respighi

Pines of Rome

All sound clips are from San Francisco Symphony performances and are used with permission of the SFS Players Committee.

Podcasts

Respighi's Pines of Rome
 

At a Glance


IBERT
Escales
 1922  |  15 mins
Jacques Ibert was the quintessential twentieth-century Parisian composer of the early-to-mid twentieth century—cultivated but not pompous, a man who blended the “serious” with the “popular,” good-spirited and often witty. PICTURE THIS: Escales offers three colorful postcards from Mediterranean locales. “In the first movement,” he explained, “the sounds of a tarantella . . . appear against the heavy swells of the sea.” The second evokes two cities of Tunisia—Tunis and Nefta. . . . “When I travel I am interested in everything, from snake charmers to overcrowded neighborhoods.” The finale, with its “strongly marked Iberian character,” evokes Valencia, on the eastern coast of Spain.

SAINT-SAËNS
Cello Concerto No. 1
 
1872  |  20 mins
The marvelous Camille Saint-Saëns was not only an extraordinary composer, he was an accomplished organist, champion of forgotten early music and of contemporary composers, an inspiring teacher, gifted writer, world traveler, and an informed aficionado of such disciplines as Classical languages, astronomy, archaeology, philosophy, and even the occult sciences. When he composed his Cello Concerto No. 1, Saint-Saëns was highly regarded in French musical circles. LISTEN FOR: This piece is rich in melodies that show off both the dramatic and lyrical aspects of the cello. The soloist leaps into the fray from the beginning, spinning out rapid triplets (a rhythmic pattern in three, like breaking down the syllables of “ham-bur-ger”). The second movement is a throwback to music of an earlier time. After a high-flying solo lick comes a finale that keeps this concerto surprising through to its very last note.

GUILLAUME CONNESSON
E chiaro nella valle il fiume
 
2015  |  23 mins
Guillaume Connesson offers these comments: This piece is inspired by Italian poet Giacomo Leopardi’s La quite dopo la tempest (The Calm after the Storm). I wanted to compose a piece that celebrated the beauty of the Italian landscape. The piece features rhythms that are constantly in flux, culminating into a luminous fortissimo (increase in loudness). In the eerie calm that follows, we hear an old Neapolitan song, played by the clarinet and trumpet. Then, a peaceful episode where distant bells recall Italian cities at sunset.

RESPIGHI
Pines of Rome
 
1924  |  23 mins
Ottorino Respighi was fascinated with the music of Italy’s distant past; his hallmark was over-the-top orchestral color. He combines both in Pines of Rome, using “nature as a point of departure, in order to recall memories and vision. The centuries-old trees . . . become witnesses to the principal events in Roman life.” DID YOU KNOW? Pines of Rome is famous for being one of the first pieces to include electronics in its orchestration through Respighi’s instruction to play a recording of a nightingale at the end of The Pines of the Janiculum. In the score, Respighi suggests that commercial recording be used; to this day the publisher supplies it with the music.

Jeanette Yu is Director of Publications at the San Francisco Symphony.

 

Buy Tickets

  1. Thu, May 10, 2018 at 10:00am

    Davies Symphony Hall

If you would like assistance purchasing tickets for patrons with disabilities, please call the box office at 415-864-6000.

Pre- and post-show Events

Inside Music, an informative talk by Peter Susskind, begins one hour prior to the rehearsal. Free to ticketholders. Learn More.

Ravel in America
Discover more about the life and work of composer Maurice Ravel and his connection to the San Francisco Symphony in a special exhibition located on the First Tier. Learn More.

2017-18 Season: Click to explore

Open Rehearsals are a working rehearsal. The pieces rehearsed are at the conductor’s discretion.

The Open Rehearsals are endowed by a bequest from the estate of Katharine Hanrahan. For information about including the SF Symphony in your estate plans, contact Gift Planning at 415-503-5482 or giftplanning@sfsymphony.org.