Oboes

Eugene Izotov

Eugene Izotov joined the San Francisco Symphony as Principal Oboe, holding the Edo de Waart Chair, in the 2015-16 season. He previously served as principal oboe of the Chicago Symphony, Metropolitan Opera, Kansas City Symphony, associate principal oboe of the San Francisco Symphony, and as guest principal oboe with the Boston Symphony and Los Angeles Philharmonic. Mr. Izotov is the first Russian-born musician in history to hold a principal wind position in any major American symphony orchestra. His numerous awards include top prizes at solo competitions in Saint Petersburg (1991), Moscow (1990), New York (1995), and at the Fernand Gillet International Competition (2001). 

Mr. Izotov has appeared more than fifty times as soloist with the Chicago Symphony, Boston Symphony, San Francisco Symphony, MET Chamber Ensemble, and has collaborated with Bernard Haitink, James Levine, Nicholas McGegan, Edo de Waart, Ludovic Morlot, and Riccardo Muti. He has recorded for Sony Classical, BMG, Boston Records, Elektra, and CSOResound, and was a featured soloist with the Chicago Symphony and John Williams on the Oscar-nominated recording for the film Lincoln. A prolific chamber musician, Mr. Izotov has performed regularly with the MET Chamber Ensemble, and with Yefim Bronfman, Pinchas Zukerman, Jamie Laredo, Yo-Yo Ma, Emanuel Ax, André Watts, and the Tokyo String Quartet. 

Mr. Izotov teaches at the San Francisco Conservatory and has previously served on the faculty of the Juilliard School and DePaul University. He regularly presents master classes at Aspen, Tanglewood, the New World Symphony, Manhattan School of Music, University of Michigan, Hyundai Center (Seoul, Korea), Domaine Forget (Canada), and Interlochen Center for the Arts, among others. In 2003, at the invitation of James Levine, Mr. Izotov joined the faculty of the Verbier Festival Orchestra in Switzerland. Since 2005, he has served on the faculty of the Pacific Music Festival in Sapporo, Japan. He served as the oboe mentor for the 2011 YouTube Symphony Orchestra during its residency at the Sydney Opera House, which included a live internet simulcast to more than 30 million viewers worldwide. In 2014, Mr. Izotov joined the woodwind faculty of the Music Academy of the West. Recent and upcoming highlights include teaching engagements at New World Symphony, the Juilliard School, Vanderbilt University, Oberlin College, and McGill University in Montreal.

Born in Moscow, Russia, Eugene Izotov studied at the Gnesin School of Music with Ivan Pushechnikov and Sergey Velikanov and at Boston University School of Fine Arts with Ralph Gomberg.

Profiled in our Meet the SFS Musicians series, Eugene Izotov reflects that he “grew up on the stage” of Davies Symphony Hall.

Christopher Gaudi

Chris Gaudi

Currently the Acting Associate Principal oboe of the San Francisco Symphony, Christopher Gaudi has also served as the Acting Assistant Principal oboe of the National Symphony Orchestras, as Professor of Oboe at the University of Indiana Bloomington Jacob School of Music, Principal Oboe in the San Diego Symphony, Guest Principal oboe with the Atlanta, Seattle, and Puerto Rico Symphony Orchestras, and has been a frequent substitute with the Metropolitan Opera. He has also performed with the Cleveland Orchestra, the Los Angeles Philharmonic, and for multiple occasions at the at the White House. Currently he also serves as President of the Board for OvreArts, Inc., a non-profit arts organization in Pittsburgh, PA. A student of Elaine Douvas and John Mack, Mr. Gaudi received both his Bachelor and Master of Music degrees from The Juilliard School. He has participated in numerous festivals including Aspen, Kent/Blossom, Mainly Mozart, Spoleto (Italy), the New York String Orchestra Seminar, and the Interlochen Arts Camp, and has presented masterclasses at The Colburn School, Interlochen, Asian Youth Orchestra (Hong Kong) and Hidden Valley Music Seminars. He also maintains a blog, www.oboeclass.com, a website full of information and resources for oboists.

Christopher Gaudi has served as a Symphony mentor in the SF Symphony Community of Music Makers program.

Pamela Smith

Dr. William D. Clinite Chair

Pamela Smith   
Oboe - Dr. William D. Clinite Chair
Member since 1988
Hometown: Atlanta, GA

Began playing music:
I started piano when I was four. My parents had no musical background whatsoever but my older brother played clarinet. When he began as a bass clarinetist in the Atlanta Symphony—where he retired after 44 years—I decided I wanted to follow in his footsteps. I loved the flute but the band needed an oboe player, so at age seven I began oboe lessons.

On becoming a professional musician:
After I graduated high school, the Rotary Club International awarded me a grant to live and study a year abroad. I attended a small conservatory in Liège, Belgium. I came to San Francisco in 1973 to study with Marc Lifschey—then principal oboist with the SFS—at the San Francisco Conservatory. Since then I’ve been privileged in the opportunities to study with some of the greats, including John de Lancie of the Philadelphia Orchestra, John Mack of the Cleveland Orchestra, and Joe Robinson of the New York Philharmonic and Atlanta Symphony Orchestra.

On being in the Orchestra:
I love performing here with MTT: His obvious joy and enthusiasm for the music is infectious. Prior to coming here, I enjoyed positions with the San Francisco Ballet Orchestra, the Atlanta Symphony, and the Honolulu Symphony.

Activities:
My son Jack keeps me busy. I have a passion for gardening, I love skiing, and I am a voracious reader of historical novels, especially about the American South.

 

Russ deLuna

English horn, Joseph & Pauline Scafidi Chair
 

SFS member since:  2007

Hometown:   Atlanta, GA

Music schools attended:  Northwestern University, Boston University

Began playing music: At age 13

Musical inspirations:  My band director

If I were not a professional musician, I might be a: Teacher or athlete

Favorite composers: Bach, Mahler, Brahms, Sibelius

Favorite works featuring my instrument: The Swan of Tuonela, Sibelius; William Tell Overture, Rossini; Shostakovich, Symphony No. 8; Berlioz, Roman Carnival Overture

When I’m not working, I enjoy: Working out, reading, spending time with my kids

Recent reading: The Stiff: The Curious Lives of Cadavers, by Mary Roach; History of the Philadelphia Orchestra

On my CD player/iPod: Pink Martini
           
Favorite things to do in the Bay Area: Eating out, beaches

Russ deLuna has served as a Symphony mentor in the SF Symphony Community of Music Makers program. He is currently a member of the Coaching Team for the San Francisco Symphony Youth Orchestra.